I have been asked many times over the years which clocks I would choose. Also which period of clockmaking I consider to be the finest in the last 200 or 300 hundred years. I will be considering these points in my brief outline of the Monarchs of Britain since 1689. Most grandfather clocks are made after this period and so it seems like a good place to start.
William and Mary were offered the throne of the British Isles in Feb 1689 after the overthrow of King James II of England. This period was called the Glorious Revolution of 1688.
William and Mary – Feb 1689- March 1702
Lots of special walnut, marquetry and ebony grandfather clocks were manufactured during this period, many of the dials were of only 10 inches across.
Queen Anne – 8th March 1702 -1st August 1714
The stand out date within Queen Anne’s reign was 1st May 1707. This is when The Act of Union was signed. The Kingdom’s of England and Scotland were united under one sovereign state. The Kingdom of Great Britain. With the clock world this date has an influence on the brass dials produced around this time. You will see brass dials with the Maltese Cross spandrels symbolising the Act of Union.
It is now we come to the greatest period of clockmaking within these Isles in my opinion. The Georgian Period, stretching from 1714 to 1820. The last 9 years of which were classified as Regency, as the good old George III went slightly mad.
George I – 1st Aug 1714 – 11th August 1727
A continuation of the lovely walnut, marquetry and lacquer grandfather clocks produced earlier. The introduction of the arched dial grandfather clock in this period around C1715
George II – 11th June 1727- 25th October 1760
At the end of this period we see the introduction of the fine mahogany veneers. Cuban and Honduras mahogany clocks being a particular favourite of mine.
George III – 25th October 1760 – 29th Jan 1820
So much happens in this period of clockmaking. It really is the golden age in my opinion. The white dial was introduced, these started in Birmingham. By the end of the 18th century over 50% of the clocks manufactured had a white dial. The brass dial that had dominated clocks for the preceeding 100 years production. They were in sharp decline.
From 1811 to 1820 another important period in antiques is called the Regency Period. Many fine clocks were made in this period, particularly bracket and wall clocks. You see the introduction of things like brass inlays etc.
George IV – 29th Jan 1820 – 26th June 1830
The end of the Georgian period of clockmaking in the golden age.
William IV – 26th June 1830- 20 June 1837
In my opinion most grandfather clocks made for the mass market were of inferior quality of construction by this date. Compared to the previous 100 years, many were wider and of poorer quality construction. It is now that the clockmaker sells to retailers more and more. The name to the dial is increasingly the retailer of the clock not the actual clockmaker. Movements are still of good quality but the cabinets tend to be not to everyones tastes.
Victoria – 20th June 1837 – 22 Jan 1901
I think this is an appropriate place to end my look back of a few hundred years of clockmaking. Victoria’s reign oversaw a massive period in Britain’s history. The advent of industrialization. The furniture made during this period is always more elaborate. Many pieces of furniture are highly carved. For me though clockmaking in the UK is in further decline for the mass market. The individual brilliance of the clockmaker is being, in most cases, turned into a production line where very few special items are produced. When they were produced they were knockout but in general this was not the case. I suppose as labour costs and mechanization increased, quality unfortunately took a back seat. Clocks were more affordable to the mass market though. There were clearly exceptions to the above statements, especially when items were made specially to order.
I get asked about 4 or 5 times a day if I know anything or know how you can find more information about a particular clock maker. This is another special aspect of buying an antique clock, you are able to research about the maker.
Antique Clock Makers
Clearly it is important first to check your clock is genuine and the makers name which will be engraved to the dial. Check this has always been there, and has not been altered. Sometimes makers names have been changed for more famous names etc to try and increase the value. I always say be very careful if whoever you are buying your clock from really focuses on the maker and not alot else. A quality clock maker with lots written about him in the books will mean a quality case and a quality movement. Names are sometimes put on the chapter ring or on a cartouche. Certain makers have certain styles or features and an expert can recognize their work.
Clock Books
After you have checked the name on your clock dial, one of the best research books for all 18th century clock makers, is a book called G.H.Baillie – Watchmakers & Clockmakers of the World Volume 1 ISBN 7198 0040 4 . Clearly Volume 2 is on later makers.
This book is a good starting point to your research on the clock maker. Do not worry if you do not find your clockmaker listed. Every little town in the 18th century had clockmakers and not everyone is listed.
Visiting the local historic church
To find more information about the maker, I suggest visiting the town of your clock. Say for instance your clock was Henry Lane of Dundee and nothing was written about this maker. I suggest going on a researching holiday up to Dundee for a week. More often than not there is an 18th century church in that town, this is the place to start you search. The clockmaker on your dial will be either buried there, or have repaired the church clock at sometime. They then will be listed in the church records. If you have the time you will find so much information that can not be found in any book.
If you have a genuine or wish to buy a genuine 18th century antique clock this can be quite a fun research project for one holiday. You can not do this with most pieces of furniture. I just believe it brings an added smile to your face when you find the history behind your clock. These clocks that can be still ticking many centuries later in your living room. It is good to add any information you have found to the back of the clock door for all subsequent owners of the clock.
I have worked in the field of antiques all my life. One specialist sideline I have is in interior design. Interior design is an important part of any home and should be considered before any purchase.
Family Business
I love antiques and it is my belief that an antique grandfather clock should be central to any new interior design project. Antique clocks provide a superb focal point to any room. They add so much character to any room setting. Visit our website for great ideas and choice.
Do antiques work in the modern house or setting?
It is a misnomer that you can not furnish a new home with antiques and that you need an old 18th century house. Antiques fit in any home to compliment the decor. I have designed very modern chrome interior houses and filled them with some special antique items. They work really well together with a few select modern items. Do not think you can not use antiques to furnish a modern designer home. You will be surprised at how well they work in this regard.
Less is More
A few special items can bring a loving lived in feel to your home.
At Pendulum of Mayfair Ltd we can arrange a full interior design service. We provide recommendations and special prices for complete house designs. Please contact me today to ask for more details.
The question should I buy new or old is normally a no brainer. Clearly for 95% of items buying new is clearly more attractive. The question in relation to clocks is somewhat different.
There are many many reasons why in this instance buying an antique clock from a recognized clock dealer is the correct decision.
Handmade or Machine Made Clocks
1) Clocks generally made prior to C1800 will be handmade. The quality of the movements is generally far better than there new equivalent.
2) Labour costs are increasing ever year and they are considerably more expensive than they were in the 17th and 18th centuries. Buying antique items with intrinsic labour costs built in is a good thing.
3) The skill base in clocks has dramatically decreased over the years. In the 17/18 th centuries etc London was the centre of clockmaking and every little village had its own clockmaker. Today the clockmaking industry is a shadow of its former self.
4) The cabinets are generally far better looking on an antique clock. Veneers on 18th century clocks are clearly hand cut and the finest slow grown timbers are used. Furniture veneers today are generally chisel cut on machines to less than a millimeter thick. Also the finish of antique cabinets has improved with age. The sun and years of waxing gives them a softer more mellow finish. Modern furniture has generally little or no character and usually has a sticky french polish open grain finish.
5) Investment is another key factor and plays a big part in decision making. Although many people keep their antique clocks and hand them down their family trees to the children. (Antique clocks are a great way of reducing capital gains and inheritance tax bills.) For those people that should a rainy day come and they require funds urgently, genuine antique clocks normally increase in value, assuming you keep them in a good condition. Generally modern clocks lose value and depreciate.
Conclusion
The 5 reasons stated above are just a few advantages to buying antique clocks, there is nothing better than owning your little piece of history and a lovely antique clock. Antique clocks have stood the test of time, and with everyone today focusing on green issues, what could be more green. 100% recycled ! Our London shop Pendulum of Mayfair provides an excellent selection to choose from.
Many people will point out that the disadvantage that they are more expensive, this may be true in some instances but you will more than make this up if you come to sell. The increase in value over time of antique clocks has been documented in many books. Don’t delay buy an antique clock today !
We often get asked about moon phase grandfather clocks. Were they just a form of decoration or were they an important feature on clocks? The lunar moon repeats with a cycle of 29.5 days. This is shown on all antique clocks with a moon feature as a result the moon disc moves once or twice per day.
Moon Disc Use On Clocks
On early pre C.1800 examples they certainly were more of a feature that the owner required for a specific purpose. That purpose was first and foremost travel, whether you would be travelling by ship or travelling by road. Knowing when the next full moon was vital part of life back in the 18th century. A merchant might live near the coast and need to know when the next high tide was. This feature will also be accompanied by a moon disc and he could look at his clock. On that day it would say the high tide would be 7am /7pm etc.
Stationary or Fixed High Tide Indicator on clocks
Tidal times are sometimes stationary. i.e. set to the port of the clock. Bristol Key etc or variable by an indicator to the arch which can be set to your local port, high tide time.
On an 18th century antique clock, a moon disc can either be a circular disc to the arch or a globe moon to the arch, sometimes called a ‘Halifax Moon’. They also could be, or a small ‘penny moon’ normally to the dial centre. This is where the seconds disc normally would be. Clocks with moon discs and not accompanied with high tide indicators were for help when travelling by road.
Highwayman Higgins
The highwayman was always a risk for the merchant in the 18th century. Tt was always advisable to travel on days with the full moon and lots of light. Generally the highwayman did not work on such nights They were more likely to be recognised. The most famous of northern highwayman was a Edward ‘Highwayman’ Higgins, who was a gentleman by day and a thief by night. He resided on Gaskell Avenue in Knutsford. This is only 5 miles from where our antique clock workshop is based. Higgins was hanged for his crimes in 1767.
London longcase clocks with moon features are very collectible as London had street lighting in the 18th century. Also the arches on London clocks are slightly reduced and not a full semi-circle. They were not really designed for moons. On provincial clocks you will notice the arch is a full semi-circle and alot more suited to a moon disc. It is for that reason finding a genuine London 18th century clock with a moon is highly sought after. Adding this feature to an 18th century London grandfather clock, can add up to £5,000 to the price on an equivalent clock.
Conclusion
I have been talking above about pre C.1800 clocks and clocks where the dials are 12 inches from side to side or less. Later clocks with dials of 13 inches or even larger are more likely to have moons and are not quite so rare. Clearly lots of later 19th century wider examples can have moons. These are more common and the moon disc on these is more for a form of decoration in my opinion than for any other purpose. We stock a few good examples at Pendulum of Mayfair of moon-phase clocks.
I have been asked many times about the state of the economy at the moment as regards antique clocks. The market at the moment is very strange. We seem to be doing well on all high value items and clock sales are very quiet on the less expensive goods. To anyone listening to this they will probably ask me the question, well why is it this way?
The first answer probably relates to people and/or businesses investing in antique clocks. Antique clocks are for tax purposes described as a ‘wasting asset’. This means they can be classified on business accounts as plant/machinery. Therefore their purchase can be set against tax. Personal possessions that are wasting assets. These can also be exempt from Capital Gains Tax. The tax man therefore at the moment can not touch clocks.
My second answer relates to stocks/shares and low return on savings. At the moment wealthy and middle income customers are becoming increasingly frustrated with these low returns. They are deciding to purchase antique clocks for their home. At the moment there is a return on savings and investments. They would rather spend their money on items that give them pleasure. These can form equally good investments themselves. It is important you buy your antique clock from a reliable and trustworthy source. These will give you a money back guarantee that it is genuine and fully restored. Be careful when buying in auction as this is not the case.
Intrinsic labour costs
Antique grandfather clocks have so much intrinsic labour costs built in. As a result, they will continue, in my opinion, to form a good investment. They were built to last and labour costs at the time were very low. These past generations produced some wonderful clocks. We treasure these today, many can be viewed at our online antique store. www.pendulumofmayfair.co.uk.
When I come to think of 18th century antique furniture design, I think primarily of 4 names. There is the great Thomas Chippendale, George Hepplewhite, Thomas Sheraton and last but by no means least Robert Adam. Robert Adam was probably better known for his influence on architecture in the 18th century but he also designed lovely pieces of furniture.
Famous Floral Designs, Pergolesi
It was on one of his trips to the Continent to study foreign designs he came across Michael Angelo Pergolesi. Pergolesi was one of the main characters in the start of painted antique furniture. Designs on antique furniture up to this point had been inlaid into the wood surface.
Pergolesi trip to UK
Pergolesi stayed in the UK until the end of the 18th century. He worked with the celebrated Adelphi firm. He designed and painted beautiful pieces of furniture and the occasional antique clock. Many of these works decorated with fine figures, flowers and classical urns. He published a book of these designs taken between 1777 and 1801. He worked with other leading figures at he time, many were members of the Royal Academy. These individuals revolutionized the decoration applied to antique furniture.
Pergolesi Designs
Pergolesi designs on antique furniture are rare by the fact he worked only a sort period of time in the UK. Those who worked with him in this area left London to work overseas before the end of the 18th century. With this short window of opportunity, very few pieces were made by these celebrated artists and designers, making them highly sought after. Later work like this can be seen in the late 19th century. This is when this type of work hit a revival in the fashion moods at the time.
Most of written information on this subject can be found by reading books on the ‘Age of Satinwood’. Many pieces were decorated on this wood surface as satinwood offers a ‘plain canvas’ so to speak for the artists work. It is also true though you will see works decorated on mahogany cabinets in the last quarter of the 18th century. One outstanding such painted decorated clock is seen below.
The following piece ,’The Swing of the Pendulum’, is taken from April 2014 edition of Antique Collecting. It is based on John Andrews interview and discussions with myself Daniel Clements. Manager of Pendulum of Mayfair Ltd.
Figure 1. Superb and rare GIII, arched, brass dial, mahogany, ‘8-day’ London-style Longcase clock by John Grantham Newbury. Bat and ball automaton.
Interesting clock facts
It takes courage to come from a business in the provinces and open up in the West End of London. Especially when so many antiques concerns have been doing precisely the opposite. But this is what Pendulum did twenty years ago Taking Fred Perry’s shop and residence at 51, Maddox Street by buying the freehold. We then had control over the rent as one important cost element. This having been achieved as a deliberate long-term measure. The costs of converting the shop were a safe investment and Pendulum of Mayfair was launched.
Family Business
Many businesses in this field have come about as a result of what was a part-time hobby. A source of incidental income becoming so absorbing that the plunge to launching into full time was taken. Daniel Clements says that his father is a classic example. He used to say that he became a dealer in 1974 to pay for his vice of collecting. As a qualified mechanical engineer he was engaged in building factories. Designing new machines all over the world, acting as engineering director at Pilkington’s. But his love of clocks, playing with and restoring them, became a passion. This provided relaxation from the stresses of work. Eventually bringing about the decision to leave his job and set up as a dealer full time.
Nearly half a century old
When he did this 40 years ago it was considered to be a crazy thing to do. Like many who have entered the antiques business after years of dealing on the fringes of it. The impulse was too strong to resist. Even now, in his seventies, Mr Clements love of clocks is still as powerful as it was when he set up the business of Coppelia Antiques in Cheshire forty years ago. This passion has led to the establishment of a highly regarded business with a worldwide field of activity.
Figure 2. Superb ‘8-day’, c.1790, white-dial, moonphase, mahogany Longcase by collectable and well-regarded maker Bancroft Scarborough.
Finding special clocks
Throughout the 40 years since its start, Daniel Clements says the greatest pleasure the business has provided is in finding special antique clocks. Then restoring them as sympathetically as possible. Over the years they have developed the skills of lots of young people in their care. Trying to instill a love of old things and learning about their origins along the way. Touching old things, smelling them, and getting under ‘their skin’ is a long process and needs patience and understanding.
The workshop
The clock workshop is the hub of the entire operation and nothing is allowed to leave until Mr Clements is satisfied with the result. A familiar motto of the business is the saying ‘well bought, is half sold’. The special type of antique clocks Pendulum look for are so hard to find, selling them is the easiest part.
Figure 3. Lovely ‘8-day’, London, musical Longcase with mahogany cabinet, c.1770, Herring of London.
So many customers are now long term friends
Over the years many special pieces have come into their hands and customers have become friends.Examples of this provide instances of expertise combining with history to provide the customer with a truly remarkable acquisition. One particular clock sold to an Australian client was by the clockmaker Henry Lane. This was a superb musical Bristol Longcase clock from c.1790. Henry Lane, as it happens,was the first clockmaker in Australia. The story of how this comes about was a compelling one.
Transported to Australia
Henry was sentenced to death for forging money.This sentence was later changed by an act of clemency to transportation to Australia. He left Spithead on the Perseus with 112 other male prisoner son the 12th February 1802. This is what Clements feels is so special about antique clocks: they have a history and you can research more about the clockmaker’s life. They are a living working museum to the past and attractive pieces of furniture as well. How proud master clockmakers would feel if they could see their clocks still working perfectly in many homes today.
Figure 4. Fine c.1785 Peter Wood, painted-dial, mahogany, bell-top, double-fusee bracket clock with anchor escapement striking on bell and with repeat.
The Centre of London
With the Pendulum shop being situated right in the heart of London they have sold and restored clocks to many VIPs. Large companies like Asprey’s and Garrard’s, and major hotels like the Conaught. Recently they had the pleasure of restoring some really complex antique clocks for the Russian Embassy in London. Clements states that ‘the Ambassador and his assistants have shown us great kindness and consideration. We have lovely presents from them and also were delighted to attend their special day earlier this year. This was another of the fantastic memories we have built up over the years. The clocks were a challenge but they now look wonderful and are now fully functioning & proudly taking up their prestigious places at the Embassy. It was a real honour for us, and it shows how far we have come as a business over the years.’
Figure 5. Early 19th-century, double-fusee bracket clock by Hanson of London.
Great finds
Another entertaining example comes from their local specialist auction house in Chester. They had a lovely little clock for sale at auction about 20 years ago. There were four clocks in the sale,of which one was of great interest: it was catalogued as an ‘electric clock‘. When the hood was taken off the clock, the movement looked as though it was in a salmon tin, because it was enclosed. ‘We instantly knew what this clock was,and so, says Clements, my mother and father decided to split up in the room.My father said to my mother: you bid; if the other dealers see me bidding they will twig. My mother started bidding on the clock but she was very laid back. So much so that the auctioneer asked her are you bidding Ma’am? She said yes and the auctioneer slammed the hammer down.
Dust Encased Regulator
One dealer who was standing by my father noticed it was his wife bidding. He asked what the clock that she had just bought was. My father said, ‘oh, my wife collects electric clocks.’ Of course it was not an electric clock at all. The clock’s movement had been dust encased. It was a fantastic clock by John Holmes of London. The cartouche had been reversed on the dial and engraved electric clock. It clearly had been used as a ‘slave clock’ in the early 20th century, to drive other clocks around a factory.
‘Daniel Clements says ‘I wish these bargains happened more often but it is not the case. Everyone thinks they have a master piece under their pillow or in their garage. The guy who purchased this ‘electric’ clock was told the story. He laughed; luckily he did not mind paying a handsome profit at the time.
This clock will have appreciated many times in price since then though. Investing in antique clocks is just about as safe as houses. These master timekeepers come from an age where intrinsic labour costs are built in. Movements are handmade and built to exacting standards; they will continue telling the time in peoples’ homes for hundreds of years to come. Even throughout the recession, good genuine clocks have always appreciated in price.’
Figure 7. J & B Levi Dover, early (c.1795), mahogany, verge wall clock with silvered dial.
Hyman Russian Clock
‘I also remember when we purchased a lovely regulator clock with a painted dial. This clock was made for Catherine the Great of Russia. She was the most renowned and long ruling female leader of Russia. The clock came from the Winter Palace.It was brought out on a horse and cart just before the Russian Revolution at the start of the 20th century. I wish we had kept this clock, but then I wish we had kept many clocks we have sold over the years. We are in a business where we only buy what we love and we grow very attached to all our clocks. They are like extended branches of our family. Once you have restored the clocks, you feel part of them.Like selling puppies etc., the potential owners of our clocks, all get proper vetting! Luckily the people who love clocks are generally lovely people.’
Always Learning
Figure 8 . Mid-19th-century Austrian ‘2- day’ automaton and quarterstriking, large and impressive clock.
‘Every clock we buy and sell has its own story. You realize you are always learning new things; a lifetime is not nearly long enough. We can be proud of restoring and bringing back to life some lovely antique clocks. Yesterday’s craftsman’s work will live on at our shop in London, Pendulum of Mayfair Ltd. We stock some of the finest antique clocks anywhere in the UK. All these are fully restored and come with a year’s guarantee. All antique grandfather clocks are delivered free of charge anywhere in the UK. We have a full export shipping service to all four corners of the world. The USA is one of our biggest markets.’
At a time when there are so many stories of retrenchment in the antiques business it is a pleasure to find one of sturdy optimism.Pendulum of Mayfair at 51 MaddoxStreet, London W1S 2PH
What are antique longcase clocks? Well, most people know them as grandfather clocks, but the ‘proper’ name is longcase clocks. And since many of those around now date from the 1700s, there are few people who would argue with the description ‘antique’!
But surely people like me don’t buy antique clocks, whether grandfather clocks or not? If that’s your next question, think again. A grandfather clock was and is many families’ most prized possession, and there’s something very appealing about thinking about all the family history that has passed under the unheeding gaze of the clock over the years. What stories could it tell, if only it could speak?
And an antique longcase clock makes a lovely gift, perhaps for a wedding, especially of one of your own children. Or, if you’d rather enjoy the clock yourself, think of it as buying a future heirloom for your family! They will certainly thank you for it in years to come.
You can buy antique grandfather clocks much more easily than you may have thought.
The purpose of this blog is to trace the antique bracket clock from its beginnings. This started at the latter end of the 17th century up until the mid 19th century or Regency Period in England.
Best Clocks in the World
During the entire period that I have mentioned above, clock making in Britain was acknowledged to be the best anywhere in the world. Clock makers in the UK maintained this position until at least the mid 19th century. Then imports arrived on our shores from France, Germany and eventually the USA. Clock makers in the UK refused to lower standards and change to the manufacturing methods used by our continental neighbors and those further afield.
Fusee Mechanisms
I have mentioned in my previous blog about lots of different antique clocks. These were manufactured in the UK during our supremacy in the field of clockmaking. I have only really touched on antique bracket clocks. Examples of such clocks can be found on our clocks site by clicking here. I only mentioned these in my piece in antique clock descriptions.Touching on them, describing the differences between mantel clocks and bracket clocks.
During the 18th century,’ the great Georgian period of clockmaking’, many thousands of lovely bracket clocks were manufactured. These at the time were actually costlier to produce than the equivalent longcase clock.
More Expensive making Fusee Bracket than Longcase Clocks
It was expensive making the springs and the fusee’s. The fusee was an ingenious invention. The spring slackens off over the week and before the invention of the fusee, timekeeping would become more eratic. The clock would thus go slower. On fusee clocks however the power delivery is evened out over the course of the week.
Bracket Clocks were only produced by the top clock makers
Bracket clocks were thus only really manufactured by the top makers in the 17th/early to mid 18th century During this time you will find most manufactured in and around London. Clearly the skills were available in London and the customers were there that could afford them. Bracket clocks were also made in the large towns of the UK, but you will not find many provincial bracket clocks, especially early in the 18th century. You will find most provincial bracket clocks dating from the end of the 18th century and on into the 19th century. There are always exceptions though.
Balance Wheel Escapement
The earliest form of escapements were called the balance wheel. Only a handful of these type of clocks still exist. The vast majority of the bracket clocks up to about C1760 were controlled by a ‘verge’ escapement. You will see on lots of these clocks a window on the dial This is where you can see the pendulum swinging by means of a circular brass disc. This brass disc has a connecting rod to the verge bob pendulum at the rear of the clock.
Different woods used
The bracket clocks made up to the mid 18th century, tend to be ebonized. Actual ebony (rare) or walnut veneered, sometimes even marquetry on walnut. In the following years mahogany is used. After 1800 you will see the introduction of more exotic woods like rosewoods and other fruit woods. You will also see the introduction around C1760 of the anchor escapement.
Verge Escapement
The verge escapement was great in so much that the crown wheel was at right angles to other wheels in the train. Therefore and was far easier to put and stay in beat. i.e. not so temperamental to being knocked. The disadvantage of the verge escapement is that the timekeeping is far less accurate than the later anchor escapements. For this reason some original verge escapements are later converted to anchor. This needs to be checked when buying as it is nice to get an original example of either.
Engraved Backplates
The other big difference with the verge earlier clocks, many have profusely engraved backplates. Some anchor escapements have these around C 1760 as well but the later you go through the 18th century, the fine detailing and engraving gets less and less. Around C1800 only a border of engraving is common on the bracket clocks. After C 1800 most bracket clocks have no engraving and at best only the makers name engraved to the backplate.
Conclusion
I will finish this by mentioning the name bracket clocks. I am sure you will assume they all stood on a seperate bracket, but this is not the case. Only a very few had a purpose made bracket. Most were just to be placed on your sideboard or chest of drawers or fireplace. The back door of many 18th century bracket clocks is glazed Meaning you can see the finely engraved backplate on your fireplace, by putting a mirror behind the clock. Clocks commonly have a pull repeat feature to let you know the hours and sometimes the quarters. This was important with no electricity. A string could be put by your bed that was connected to the clocks rack mechanism this would let you know either the last hour or next hour, or on some like I say the hour and the quarter. i.e. 4.15.
Highly Sought After Clocks
Genuine Bracket clocks are highly sought after, especially smaller original examples. Larger examples are easier to find and are less commercial as a rule. All bracket clocks tend to go for a minimum of ‘8-days’. Longer duration examples are also possible. Visit our homepage at www.pendulumofmayfair.co.uk for more information.
