Pendulum of Mayfair - Antique Clocks & Furniture

King House,
51 Maddox Street,
London W1S 2PH

Telephone:+44 (0) 207 629 6606

Fax: +44 (0) 207 629 6616


[email protected]

Coppelia Antique - Clocks & Furniture

Holford Lodge,
Plumley Moor Road,
WA16 9RS


+44 (0) 1565 722197

Fax: +44 (0) 1565 722744

whos who
Visit Pendulum of Mayfair on Facebook Follow Pendulum of Mayfair on Twitter View Pendulum of Mayfair LinkedIn Profile
Watch Pendulum of Mayfair on YouTube Pendulum of Mayfair RSS Feed

Antique Clocks Blog Home → Viewing post: "Antique Clocks – Wood Identification Guide"

Antique Clocks – Wood Identification Guide February 20, 2014

For antique furniture and clocks different types of wood were used in their manufacture. In this handy guide I am going to cover some of the main woods used. These woods can be of solid form but most flamboyant grained woods are used as hand cut veneers. The carcass is generally made from oak or pine in the provinces or oak generally in London. In London oak is only used as a carcas material in the 17th and 18th centuries, whereas in the provinces you will find antique grandfather clocks being made of oak as the finished wood. Clearly oak was veneered as well, especially in London by English Walnut up to say C1750 and then from this date fine Honduras and Cuban mahogany veneers. On some clocks you will find very early examples to be of ebony construction or ebonized (black stained fruitwood generally) You can also get oak grandfather clocks in London that were painted and decorated by Chinoiserie or lacquer work. The finest examples were sent out on boats and decorated in China.  On some later clocks especially bracket clocks you will see these veneered in more exotic woods like rosewood or maple or ewe wood. I suppose the smaller size means you can use veneers of the more slow growing and smaller trees.  On some early clocks these exotic woods were used as well in small pieces and matched. We have owned a lovely walnut burr oyster veneered grandfather clock.

Below is a selection of woods used for antique clocks and furniture during the 17th and 18th and 19th centuries in England. I will give you a brief insight into each wood pictured, I hope from this blog  will help you discover what type of wood your clock or piece of furniture is manufactured from.

Honduras Mahogany


Cuban mahogany

Plum Pudding (spotted) mahogany

Mahogany can be a beautiful wood, it starts in the UK being used around C1750 and continues being used throughout the 18th and 19th centuries. Two most common variants are Honduras (lighter) and Cuban mahogany (darker). It is a close grain hardwood coming commonly from the South America or the West Indies type regions. This tree can be found quite wide and so large sections could be veneered with this wood.

Quarter Cut or star-fleck figured oak

Solid English Oak

English oak is a slow growing and so very heavy wood, used in construction and veneered some of the time, but it is a beautiful wood in its own right. Oak being so heavy and close grained is good at preventing things like wood worm, that is one of reasons why London used it in the construction of its clock cases ahead of pine. Pine is used in the provinces as a rule for carcases as it is cheaper. You will notice the weight difference between an antique clock veneered on oak and an antique clock veneered on pine. Oak just gets better with age and polishing, we call this the patina. Less close grain oak can come from countries like Japan, this wood although called oak, is a far poorer wood to the slower growing English oak.

English Burr Walnut

Marquetry inlay on English Walnut

Marquetry on Walnut

Continental walnut


Walnut is a lovely wood and English walnut gets used as veneers in antique furniture and clock manufacture up until C1750 in the main, after this date most walnut used is Continental walnut. Continental walnut is a quicker growing tree and so the grain is never as fine as English burr walnut. Again English walnut is a very heavy wood with a close grain. The tighter the burr or knot in the walnut the better. Walnut can range in colour from quite light if the sun has taken it, to quite dark. Continental walnut is used on all of the German wall regulators or commonly called ‘Vienna  style’ wall clocks  etc through the 19th century.


Satinwood being a very light wood was used towards the end of the 18th centuries and early 19th centuries in the main. Many expensive pieces are manufactured with Satinwood veneers. We have some Pergolesi painted tables with satinwood veneers, I suppose the light colour makes the painting stand out better.


Pine, many of you will be familiar with this wood. It is rare to see a surviving antique grandfather clock made in this wood like the above as it was prone to woodworm unfortunately. Some were painted and this helped preserve them.Many provincial cabinets were constructed out of pine and then veneered. Pine is also used alot today as it is a relatively cheap wood, unlike oak. Clearly as you can see from the grain and if you lifted it from the weight , it is a fairly quick growing tree.

Lacquer or Chinoiserie

Oak was only used on internal construction of cabinets of English London clocks. When this wood was used and if it is not veneered in London you will find it sometimes decorated with lacquer work or Chinoiserie. This is gold leaf and gesso and the best types of these works are seen when they were sent out to China in the early/mid  18th century and decorated their.

I think I have covered the majority of main woods used in English cabinet making, there are others like ewe wood, maple , elm, fruitwood and rosewood. These are not covered as they are used alot less. I hope this blog has been of help to you, if you are still struggling with finding out what wood your clock or piece of furniture is made from, please send me a picture to [email protected]

Follow my antique clocks twitter posts by clicking here.

Daniel Clements – Pendulum of Mayfair


Be the first to add a comment to this post